Drawn to finding character and a human-like semblance in inanimate objects, Ghanaian born silversmith, Francisca Onumah creates ambiguous vessels and jewellery that reflect vulnerabilities and strengths through their anthropomorphic forms. Working from sheet metal, she subtly layers different marks, patterns and textures by repeatedly hammering, fold forming and impressing textile patterns onto the surface of the metal. Her approach to mark making displays a raw tactile signature displayed on sombre anthropomorphic forms.
Francisca’s work has been featured in prominent publications including Crafts Magazine, World of interiors and Goldsmiths Stories. Her work can be found in notable collections at The V&A, Sheffield Museums, The Sheffield Assay Office and The Walker Art Gallery. Francisca graduated from an MA in Jewellery, Silversmithing and Related Products at the School of Jewellery, Birmingham City University in 2015.
